Tuesday, December 30, 2014

12.29.14 " As a writer, even as a child,"

Photo: “As a writer, even as a child,” Joan Didion writes, “I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish.”

https://theamericanscholar.org/writing-about-writers/#.VKIoiPEA0

“As a writer, even as a child,” Joan Didion writes,
 “I developed a sense that meaning itself
 was resident in the rhythms of words 
and sentences and paragraphs, 

a technique for withholding whatever it was 
I thought or believed behind 
"" an increasingly impenetrable polish.”

12.29.14 This Becomes Solace

Photo: When stuck in bed, transporting to other places at other times; remembering the cold wind brushing across your face, not a person around, the pup splashing in the waters, and then racing about the shore, as the muscles in your legs experienced that pleasure of use and strain and vital movement  of blood, as you meandered into the woods, free from all paths... This becomes solace.When stuck in bed, transporting to other places at other times; remembering the cold wind brushing across your face, not a person around, the pup splashing in the waters, and then racing about the shore, as the muscles in your legs experienced that pleasure of use and strain and vital movement of blood, as you meandered into the woods, free from  paths... This becomes solace.Photo: When stuck in bed, transporting to other places at other times; remembering the cold wind brushing across your face, not a person around, the pup splashing in the waters, and then racing about the shore, as the muscles in your legs experienced that pleasure of use and strain and vital movement  of blood, as you meandered into the woods, free from all paths... This becomes solace.l

12.28.14 Old Barn of My Days




The barn was old, quiet. Situated at a forgotten junction. Locked up . A few rolls of hay pressed into the shelter of the indented front area , where, years ago, as I walked from my crappy VW, enormous regal German Shepherd by my side, to my UMass classes; no notion yet of real jobs or birth giving or serious falling in love , I would see the beautiful faces of various horses looking out of their stalls, down the open halls, or being led to places across the then two lane road, to graze or ride or run free. And of course , then , the two of us would stop by, saying hello to every single one. 
But that is over now, the magnificent new facility for the University built as I left the school, as I grew my family, as I grew real jobs of comfort and joy. 
Across from the peeling boarded up building was built another, that mirrors the exquisite form of it's roof, it's structural cavalades; an architect seeing the wisdom behind the original design. 


But that is over now, the magnificent new facility for the University built as I left the school, as I grew my family, as I grew real jobs of comfort and joy. 
Across from the peeling boarded up building was built another, that mirrors the exquisite form of it's roof, it's structural cavalades; an architect seeing the wisdom behind the original design. 


So now we have the elder form, abandoned, and the echo of its beauty, in a complex nearby, that has architecturally gone on to crossbreed with several new buildings and complexes, all small songs from this original , now aged form.

And yet now and again, before they were done with the elegant building ,with its turrets and twirls, cut deeply into hard reddened wood, before I had three-but just one small one, we would come by the morning after our nighttime books with stories of city horses and country horses. 
Not being a horse person, yet a person who loves and yearns to understand all living beings; who was determined to bring my small ones to all sorts of places , and introduce them to learning ease, everywhere at home; 
we would go by the next day , and step into the sweet pungent darkness to say hello to one bright eyed intelligent creature after another , 
the soles of our sneakers silent , as we proffered carrots and stroked silken muzzles 
and murmured those constant quiet phrases just as you do with small people; 
hand in hand, I with my young one, ever inquisitive, going by again and again.
So that now, on a blustery quick-and-chilled November morning, I pull the car over. My children grown. My beloved job left far behind. My body querulous , my time my own. 



I circle the old darling, glancing at the boarded up windows, seeing the quiet lives of the c reddish vines, as they create their own tangled masterpieces now; for now is their time. 
Bright leaf and stem, tangled like a rich hued brocade down the midline of a long forgotten window , 
as it's dusted glass glazes and reflects the light from the overcast day; 
the thrill of the years , as wild vines contrast against the powder blue painted walls someone at sometime chose with delight, 



perhaps not imagining this moment of creation we have before us now . 
The deserted. The let free. The self-determined evocation of life that brings to us great creation, in and of its own yearning , and irrepressible spirit to live where it may.


12.28.14 The Life of a Stand of Birch

Photo

So many seasons pass
and this stand of Birch remain
bright in contrast to their
neighbors of Oak and Pine and Maple
a small staccato in the
countenance of the forest
young and gathered together
seeds fallen and rootlings sent forth
all of a season, as siblings they've grown
weathering wet heavy snows and
frigid deep winters nights
their bodies creating seeds for the
next and next year so very
filled with the faith of their world
their neighborhood
spring thrust and unfurling of
tender hearted brightest greenery
summer struggles of heat and drought
the capricious drenching of
late night storms
all of it they live as they
inhale and exhale
life giving
bright against
that which holds them
dear

Sunday, December 28, 2014

12.28.14 Away away to the sea

Photo: Down by the river a few days ago it was 
dark and wet as the grasses shone with 
vermillion sprigs dried alongside the
brilliant light green all growing in their 
winter ways up next to the
crops in the low fields  as the 
river far down from the
raised path swirled and 
pressed itself restlessly
away away toward the sea

Down by the river a few days ago it was
dark and wet as the grasses shone with
vermillion sprigs dried alongside the
brilliant light green all growing in their
winter ways up next to the
crops in the low fields  as the
river far down from the
raised path swirled and
pressed itself restlessly

away away to the sea

Saturday, December 27, 2014

12.27.14 How Many Blessings To Come Your Way

Photo: How many blessings to come your way
4,5,7,20
How many times to make your day
4,5,7 and more
Which will pass and which will stay
4,5,7,20
Ever dream; none to fall to clay
4,5,7, and more
Come, settle, center and breathe
4,5,7, 20
Let your life be something more
4,5,7,24

How many blessings to come your way
4,5,7,20
How many times to make your day
4,5,7 and more
Which will pass and which will stay
4,5,7,20
Ever dream; none to fall to clay
4,5,7, and more
Come, settle, center and breathe
4,5,7, 20
Let your life be something more
4,5,7,24

12.27.14 Permitting the germination of human growth

Photo: "Diversity may result in some loss of efficiency. 
It will certainly increase the variety of challenges,
 but the more important goal is to provide the many kinds of soil
 that will permit the germination of the seeds 
now dormant in human's nature. 
Humans innovate and thus fully express their humanness
by responding creatively, even though painfully, 
to stimuli and challenges." - Rene Dubos, 1968

"Diversity may result in some loss of efficiency. 
It will certainly increase the variety of challenges,
but the more important goal is to provide the many kinds of soil
that will permit the germination of the seeds 
now dormant in human's nature. 
Humans innovate and thus fully express their humanness
by responding creatively, even though painfully, 
to stimuli and challenges." - Rene Dubos, 1968